After leave L.A., and also making only one windy appearance since, on a widely condemned mental illness episode that "Dr. Phil," the facility actress sat down for a conversation v The Hollywood Reporter around her legacy and the trauma the the Stanley Kubrick film.

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Out ~ above the tranquil banksof a flow in Texas Hill Country, Shelley Duvall pulls up in a white Toyota 4Runner. She favorite place to sit is in the driver’s seat. It’s likewise the only place to sit: The remainder of the car is filled from floor come roof v a crush of acquisitions, including a bucket of plastic silverware, a seasoned of Green giant sliced mushrooms and a bouquet of silk roses. Duvall, 71, passes whole days in she car, chatting with locals and snacking ~ above takeout food. She shares a house in the area through Dan Gilroy, 76, a member that the early on Madonna tape Breakfast Club. Gilroy to be briefly romantically connected to the singer however has been v Duvall due to the fact that 1989, the two having fallen in love if co-starring in the Disney Channel movie Mother Goose rock ‘n’ Rhyme. Developed by Duvall, it featured one all-star actors (including Duvall’s previous boyfriend Paul Simon) and has become an abiding social touchstone among millennials.


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There’s small chance that any kind of passersby would identify Duvall as little Bo Peep from the movie — or, for that matter, together Wendy Torrance from The Shining, the part for which she is best known. Her hair has thinned and also grayed, her breathy, Minnie mouse voice gone gravelly (she chain-smokes Parliaments) and also her trademark stick number — the one she provided to full benefit playing Olive Oyl in Robert Altman’s Popeye — has filled out. Yet there space tells. Her eyes tho sparkle, even from a distance. And her toothy grin is warm and also familiar.

Duvall come making jokes and raving about the cherry scones at the cafe following door. A waitress skips under the procedures with one in hand and also passes it to her through the automobile window. “Heaven,” Duvall states as she bring away a bite. Later, the waitress, Kristina Keller, a 50-something through a Texas twang, traction me aside. “I’m not certain who you are,” she says. “But the end here among these rural Hill country communities, us look out for each other and also we take treatment of each other. Does the make sense?”

The locals room fond that Duvall, come them more of an eccentric aunt 보다 faded movie star. They’re additionally protective of she — particularly since 2016, once Phil McGraw and also his Dr. Phil crew descended on the town to shoot a disturbing interview with Duvall, throughout which she babbled free-associative nonsense and also disclosed paranoid fantasies. (Among them, she insisted she Popeye co-star Robin Williams, who passed away by self-destruction in 2014 after enduring from delusions, was still alive and also “a shapeshifter.”) The episode was met with near-universal blame to of Dr. Phil. “Everybody to be appalled,” Keller recalls. “It just came throughout as craven and also sensational.”


For Duvall’s countless fans — and also even she closest Hollywood girlfriend — that shocking Dr. Phil appearance to be the first they’d checked out or heard indigenous her because she fled Hollywood throughout the mid-1990s. The circumstances roughly that relocate remain unclear. She to be at that suggest coming off a run as a very successful and prolific producer who’d trailblazed cable TV with her offbeat strategy to children’s programming. The all began with Faerie story Theatre, a really ahead-of-its-time anthology series that ran from 1982 come 1987 and saw major stars choose Mick Jagger, Jeff Bridges and Carrie Fisher performing in classic stories directed by the likes the Tim Burton and also Francis Ford Coppola. Every facet of the show was overseen by Duvall.

Among those city hall Dr. Phil that day to be Lee Unkrich, the manager of such Oscar-winning Pixar films as Toy Story 3 and Coco. Unkrich, 53, additionally is the world’s foremost Shining aficionado and is right now putting the last touches top top a Taschen book around the do of the Stanley Kubrick horror classic. He had actually been looking for Duvall because that years, to no avail; what he witnessed dismayed him. “Unfortunately, top top Dr. Phil, the human being saw what it’s prefer to have actually untreated mental illness,” Unkrich says. It’s the enduring stigma approximately it, that adds, “that has helped make Shelley mainly forgotten by Hollywood.”

Undaunted, Unkrich ongoing his find for Duvall, whose place was never disclosed by the Dr. Phil show. He ultimately located her in Texas 2 years ago and made a trip to present her a trove of Shining photos native Kubrick’s archive: “I was really curious come see how she would react and also the story that it might draw out of her.” Unkrich to be pleased to uncover that the Duvall on Dr. Phil was simply one component of a bigger picture. Yes, she could be gripped by anxiety assaults or meander right into unsettling explanation of alien-surveillance programs. But she likewise could converse because that long, meaningful stretches and conjure increase the slightest details about her life and of her career, of which she remains very proud.

I made the same pilgrimage to accomplish Duvall on a warm January morning in 2021, unsure the what i would discover when I gained there. I just knew that it didn’t feel right for McGraw’s insensitive sideshow to be the last word on she legacy. She mood ebbed and flowed transparent the day, but, favor Unkrich, I found her memory to it is in sharp and also her story engrossing.

At one point, together I was standing a pandemic-safe distance from her car home window grilling her around Altman and Kubrick and her Shining co-star Jack Nicholson, Duvall narrowed her gaze and also asked, “What’s her angle?” The concern — pointed and also savvy — made me laugh. It to be clear she can still beat the game, rendering me a little tongue-tied in the process.

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Apart from hertwo decades in Hollywood, Duvall has spent she life in the very same 200-mile Texas radius. She was born in ft Worth ~ above July 7, 1949, come Bob and Bobbie Duvall. After having actually three an ext children, all boys, the couple eventually resolved in Houston. She father was a livestock auctioneer who later became a criminal lawyer. Her mom was a successful genuine estate agent. “She founded her own agency in Houston — an are City Realty,” Duvall notes proudly. “NASA was just being built.” Duvall’s father died in 1995 at age 74; her mother passed away only last March after ~ contracting the COVID-19 virus. “Just after she rotate 92,” she says. “That to be a big one.” together for her three younger brothers, Scott, Shane and also Stewart, “I don’t recognize where lock are. They’re constantly off doing something. Shane’s ~ above a fishing boat. Stewart sings v a friend of his named Mitch. Classic, huh?”


In high school, Duvall to be a straight-A student who envisioned one day coming to be a scientist. Approximately the 11th grade, however, she grades began to slip together she found a taste for boys — she dated a long-haired greaser that drove a Mustang — and developed an iconoclastic format (white go-go boots, a pageboy haircut and giant false eyelashes). She science desires ended once she dropped the end of southern Texas small College in Houston after witnessing a monkey vivisection. “So ns went to work-related at Foley’s room store. Women would come approximately the counter, and I’d tie scarves for them and show them just how to look at pretty. I’d come residence smelling like a lily,” she says, puffing top top a cigarette. “And ns did part modeling — no much.” It to be enough, however, to present her to her very first (and only) husband — a pretty, long-haired artist called Bernard Sampson. “We met in ~ a advantage for the astronauts that crashed,” Duvall remembers, referring to the 1967 Apollo 1 disaster. “I to be modeling a Rudi Gernreich bathing suit, the type with the cutouts.”

It to be in service of Sampson’s career that Duvall do the contact that would readjust her life. They to be living in ~ Sampson’s parents’ home at the time, and Duvall threw a party there in the expect of offering some of his works and also making enough money to move out. Among the attendees were three crewmembers the Brewster McCloud, Altman’s follow-up come his 1970 comedy hit M*A*S*H. Taken v Duvall’s looks and amused by her enthusiastic sales pitch, they played along, informing her to carry the paintings over come a couple of “art patrons” — what in reality was a hidden audition for Altman and Lou Adler, his producer.

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Wearing one embroidered mexico blouse and also patched blue jeans with bells bound to her waist, a ridge of paints tucked under she arm, Duvall to be dropped off by her mom at a structure in downtown Houston. “She had the most amazing lot of power I’d ever before seen in anyone. She looked favor a flower,” Adler would later on say. In ~ first, she believed she’d stumbled right into a erotic shoot. Yet after they persuaded her of Altman’s bona fides, she it is registered to a Polaroid test and, later, at Metro-Goldwyn-Mayer’s request, a display screen test shoot in the rose garden near the Houston Zoo. “I was leaning ~ above this statue that a male angel,” Duvall recalls, peering out v her windshield, together if the scene was play out in former of her. “It’s still there — the bronze statue and the rose garden. And I gained the part.”

That first role in Brewster McCloud — she played a birdlike Houston Astrodome tour guide in the strange, ornithological fantasy — brought about a fruitful cooperation partnership v Altman, who cast her in six much more of his films: McCabe & Mrs. Fearbut (1971), Thieves favor Us (1974), Nashville (1975), Buffalo Bill and the ind (1976), 3 Women (1977) and Popeye (1980). Through Thieves, Duvall had graduated to star billing, play Keechie, a garage owner’s daughter in Depression-era Mississippi who falls for an escaped convict, play by Keith Carradine. “What she to be doing in Altman movies favor Thieves was simply transcendent,” states Lily Tomlin, 81, who showed up with Duvall in Nashville. (Duvall played a preening country music groupie, Tomlin a gospel singer increasing two hearing deactivated kids.) “She’s sitting on the porch drinking a Coke in a swing, and Keith Carradine is comes on to her, and also she’s therefore innocent. The method she played the — therefore sweet and also funny and heartbreaking. It just killed me.” like so numerous others, Tomlin long back lost touch v Duvall. “I do the efforts to discover her for a minute as soon as I very first heard that she to be gone off some place. Ns think I had actually a idea for she at the time,” Tomlin says. “But ns didn’t really put a lot of sweat right into it. I wish I had actually now.”


It was Thieves prefer Us the led Altman to traction Duvall aside and also tell her she to be “a good actress,” which offered her the confidence come envision working with various other directors. She enjoyed her very first taste the the limelight roughly then. “Lou Adler had me paris to L.A.,” she says, “and i did one interview with the L.A. Times. Charles Champlin — he was the head of the Sunday entertainment ar — wrote an remarkable story. The snapshot took up fifty percent the page, and the title was, ‘Don’t ever Change.’ ” In 1974, Duvall and Sampson, married since 1970, decided to relocate come L.A. For her career, moving right into a “tiny tiny cabin over a one-car garage” near the Griffith Park Observatory. Their marital relationship did not last the year.

The film business, ~ several decades of decline, was radically reinventing itself together the auteur-driven, anti-formulaic “New Hollywood.” and Duvall, together the idiosyncratic muse to one of the movement’s most admired directors, to be sweetly positioned in ~ the facility of this an innovative whirlwind. She befriended Carol Kane, that proposed they pay a visit to an gibbs friend’s house. “She take it me over there, and I met Jack and also Roman Polanski,” Duvall says. Warren Beatty likewise was there, however she currently had met him on the collection of McCabe & Mrs. Miller. “It wasn’t a party. They were simply waiting because that the basketball game to start.” It would be five an ext years before Duvall and also Nicholson would face off in what would come to be a job calling map for both that them. Yet her very first impression of she future co-star was the Nicholson to be “funny and charming and smart and also interesting to talk to — favor all the men in the circle of friends.”

Duvall recalls those beforehand L.A. Days together “fun however quiet,” as the calls from various other directors never ever seemed come come. “I did begin to meet interesting people,” she says. “There to be a totality group that starving actors that had parties. Each human being would lug a food of food.” There additionally were fancier affairs organized at the houses of players like Superman director Richard Donner, thrown “just to look at the young actresses and also actors. Some became famous. Like, there was this carpenter guy who gained a large job structure a waterfall for the residence of a studio executive. Every time the executive would have actually a party, everybody experienced the waterfall.” The carpenter? Harrison Ford.

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She went to brand-new York City in 1976 for a tiny but memorable function in Woody Allen’s Annie Hall (she played a Rolling rock reporter who keeps call the Maharishi “transplendent”). It to be on the film that she met and began dating Paul Simon (he play a record producer in the movie). Castle then spent a few months apart if she worked on 3 Women because that Altman, a dreamlike, avant-garde film — Altman stated it had concerned him completely formed in his sleep, actors included — that for Duvall would be a major breakthrough.

Filmed over 6 weeks in Palm Springs, that told the story the Millie Lammoreaux (Duvall), a clueless and also vain health and wellness spa worker that takes a co-worker called Pinkie (played by Sissy Spacek, fresh off 1976’s Carrie) together a roommate. The two women then embark on a bizarre, co-dependent relationship. “We never knew whereby it was heading,” claims Spacek, 71. “Every morning us would acquire pages because that what us were shooting the day, and we constantly shot in sequence, i m sorry was simply a exorbitant thing.” Spacek describes Duvall as “an extraordinary” co-star. “She to be funny, kind, anyone adored her. She was constantly prepared, always in an excellent humor, and took her occupational really seriously.” The hard work payment off: Duvall’s performance dazzled critics. (“There is one openness around her,” roger Ebert wrote. “As if somehow nothing has come between her open up face and also our eye — no camera, dialogue, makeup, an approach of acting — and she is spontaneously being the character.”) Duvall winner the ideal actress award in ~ the 1977 Cannes movie Festival. “I was through her,” Spacek recalls. “It was amazing. She blew it out of the water.”


The climax of 3 females is a graphic step in i m sorry a feckless Millie is compelled to provide a stillborn baby together Pinkie look at on, defying Millie’s pleas come fetch a doctor. Over there is a raw, unnerving horror to that — and also it encouraged Kubrick to actors Duvall together the mam in his adaptation that a Stephen King novel collection in a haunted hotel in the Colorado Rockies. She got the market in a contact from Kubrick self (“He claimed I was an excellent at crying”), whom she had actually never met. There to be no script; he sent her a copy of King’s novel, The Shining, and told she to read it.

Duvall was living with Simon in Manhattan in ~ the time. “I was at a really scary scene, and also I didn’t hear Paul come in. He snuck up behind and went, ‘Bla!‘ i went, ‘Ahhh!‘ I got really mad in ~ him. Ns said, ‘Why walk you do that?’ ” though they had been living together for two years, they had actually been farming apart. A month later, on brand-new Year’s job 1979, together Duvall was about to board a Concorde jet come London to begin filming The Shining, Simon damaged up through her in ~ the airport. She cried because that the whole journey throughout the Atlantic — what, it transforms out, would certainly be simply a warm-up for the emotional marathon that lay ahead. Once she arrived in London, Kubrick met his star v his daughter Vivian in tow. “We had actually a quite dinner, and that was it,” Duvall says. “The remainder of the time we were at work.”

Where 3 females took six weeks to shoot from start to finish, The Shining took 56. That was partly because of a fire at EMI Elstree Studios in February 1979 the badly damaged the overlook Hotel set — at the moment the biggest ever built there — requiring the to it is in rebuilt. However it to be mostly because of Kubrick’s famously exacting process. The schedule was grueling, through the director filming 6 days a week, up to 16 hrs a day. For lot of the time, Duvall essential to work-related herself as much as a state of pure hysteria playing the wife of a writer (Nicholson) that goes insane inside a snowed-in will hotel, eventually trying to hack increase his family with an axe. Uneven Nicholson, that rented a residence in London the he mutual with Anjelica Huston, his girlfriend in ~ the time, Duvall rented a flat by the studio in Hertfordshire, whereby she lived for the length of the shoot with just a dog and two birds as companions. “Nobody walk that,” states Huston, 69. “You go earlier and forth from London, even though you could get stuck in two-hour website traffic going in and out. But Shelley did that for a good year and also a half. She obtained herself one apartment and also lived there since she was just terribly devoted and didn’t want to shortchange it s her or anyone rather by not giving over completely to she commitment.”

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Duvall says, “ doesn’t print anything until at the very least the 35th take. Thirty-five takes, running and also crying and also carrying a small boy, it it s okay hard. And also full power from the very first rehearsal. That’s difficult.” prior to a scene, she would put on a Sony Walkman and also “listen to sad songs. Or you just think about something really sad in your life or exactly how much you miss out on your household or friends. However after a while, your body rebels. That says: ‘Stop doing this come me. Ns don’t want to cry every day.’ and also sometimes just that believed alone would certainly make me cry. To wake up top top a Monday morning, so early, and realize the you had to cry all day due to the fact that it was booked — ns would simply start crying. I’d it is in like, ‘Oh no, ns can’t, i can’t.’ and yet ns did it. I don’t know how I walk it. Jack stated that to me, too. The said, ‘I don’t know exactly how you execute it.’ ”


Asked even if it is she feel Kubrick had actually been unusually devilish or abusive to she in order come elicit she performance, as has actually been written, Duvall replies: “He’s obtained that streak in him. He definitely has that. However I think mostly since people have been that means to the at some time in the past. His an initial two movies were Killer’s Kiss and also The Killing.” i pressed she on what she intended by that: was Kubrick an ext Jack Torrance than cock Hallorann, the you re welcome chef play by Scatman Crothers? “No. The was really warm and also friendly to me,” she says. “He spent a the majority of time with Jack and also me. He just wanted come sit down and also talk for hrs while the crew waited. And also the crew would certainly say, ‘Stanley, us have about 60 people waiting.’ yet it was an extremely important work.”

But as Huston remembers it, the director — and Nicholson — can be unduly turbulent on Duvall. “I obtained the feeling, definitely through what Jack to be saying at the time, that Shelley was having actually a tough time just taking care of the emotional content of the piece,” she says. “And castle didn’t seem to be all the sympathetic. It appeared to be a tiny bit choose the boys were ganging up. That can have been completely my misread ~ above the situation, but I simply felt it. And when I saw her throughout those days, she seemed normally a little bit tortured, shook up. I don’t think anyone to be being particularly careful of her.” Still, Huston admits there is no denying the ferocious strength of the last product. “She actually carried the movie ~ above her back if you look at it,” Huston says. “Jack wavers in between sort of comedic and also terrifying, and also Kubrick was Kubrick at his many mysterious, interesting and also powerful. However it must have been something for she to be in the middle of the mix. And she take it it on. She was, ns think, very brave.”

There is a succession in The Shining that is in the Guinness civilization Records because that “most retakes because that one scene through dialogue.” The scene functions Crothers and also Danny Lloyd, the young actor who played Danny Torrance, pointing out the ability to “shine,” a psychic gift that enables the young to envision the hotel’s horrific past. Kubrick had actually the actors execute it 148 times. But another far more demanding step — the staircase step — to be shot 127 times. “It to be a daunting scene, however it turned the end to be among the finest scenes in the film,” Duvall says. “I’d choose to watch the movie again. I haven’t seen it in a lengthy time.”

At her suggestion, i google the scene, perch my iphone phone on her dashboard and also press play. Ns don’t think I’ll ever before forget the suffer of city hall 71-year-old Duvall watching she 30-year-old me meekly swing a bat in ~ Nicholson as he threatened to “bash brain in.”

“Why room you crying?” i ask Duvall.

“Because we filmed the for about three weeks,” she replies. “Every day. That was very hard. Jack was so good — so cursed scary. I can only imagine how countless women go v this type of thing.”

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Why Duvall left behind the 3-acre hillside home she shared with Gilroy — together with 36 birds, eight dogs and also two cats — in Studio City 27 years back and resettled in Texas stays something that a mystery. (Gilroy decreased to it is in interviewed because that this story, and also the pair asked the I no visit your home.) intentionally or not, Duvall is adept in ~ deflecting from the topic. There room rumors the Northridge earthquake on Jan. 17, 1994, which led to extensive damage to she house, to be the final straw. I asked she whether the was true.


“Yeah. Castle wear you out, man,” she says.

“The earthquakes?”

“No, the people. Afterwards, it’s like FEMA, then the following guys, and the next guys. Engineers one day, insurance world the next. Occasionally at the exact same time …”

What’s clean is that Duvall pertained to Austin later that year come shoot a small part in The Underneath, a Steven Soderbergh crime drama. She was having actually financial worries at the time however is vague about what led to them. “It’s not just owning miscellaneous that renders money,” she says. “You have actually to additionally control it. You need to make sure it’s a great deal.” She figured she’d perform the film climate head come Houston “because my mommy said she can be able to help me. She said, ‘You know, you perform so many things, why don’t … you do some art?’ and I maintained thinking, ‘Yeah, Joni Mitchell it s okay $40,000 a painting. I might as well try.’ ” The paintings never ever materialized, but Duvall never ever left Texas. For the next two decades, she fell completely off the map.

That is till 2016, once she to be contacted by a Dr. Phil producer. She grow visibly distressed at the point out of McGraw’s name. “I found out the sort of human he is the tough way,” Duvall says. “My mother didn’t prefer him, either. A lot of people, like Dan, said, ‘You shouldn’t have actually done that, Shelley.’ ” (She had actually submitted come the interview without Gilroy’s knowledge.) after the broadcast and also ensuing backlash, McGraw made repeated attempts in ~ contacting Duvall: “He started calling my mother. She said him, ‘Don’t contact my daughter anymore.’ yet he began calling my mommy all the time trying to gain her come let me talk to that again.”

(A spokesperson for the Dr. Phil display replies: “We check out every Dr. Phil episode, consisting of Miss Duvall and also her battle with mental illness, as an chance to re-superstructure relatable, beneficial information and also perspective v our audiences. Us don’t connect the stigma connected with mental disease which numerous do. Through no one else supplying help, ours goal was to record the struggle and also bring impressive resources to adjust her trajectory together we have actually for so numerous over 19 years. Unfortunately, she declined our initial market for inpatient treatment that would have included full physical and also mental evaluations, giving her a chance to privately control her challenges. After plenty of months the follow-up, in collaboration with she mother, she eventually refused assistance. We were that course really disappointed, however those provides for assist remain open today.”)

In 2018, Duvall to be paid a visit through Ryan Obermeyer, an artist from nearby Austin who flourished up with Faerie story Theatre and was concerned for she welfare. “I lugged a postcard of one of my paints with my phone number ~ above it and left it with Dan,” states Obermeyer, 39. “She dubbed me 10 minutes later saying she’d love a visit.” the led to continuous lunches and also an unlikely friendship. Duvall had actually amassed from she career a repertoire of memorabilia — Kubrick had actually gifted she the “July 4th Ball — 1921” picture that serves as The Shining‘s closing shooting — most of which has actually gone missing. Obermeyer doubt she failed to pay the rent on a storage locker and the contents were sold at auction. He uncovered some that Duvall’s personal letters ~ above eBay and also bought them back for her. He also tries his best to connect Duvall to old friends. For example, in 2019, he helped with a surprised FaceTime call with Paul Reubens, who played Pinocchio ~ above Faerie tale Theatre, for Duvall’s 70th birthday. Come commemorate that milestone, Obermeyer also threw she a party at her favourite restaurant, Red Lobster, and invited a grasp of her many die-hard fans. “One guy even came from Australia,” he says. “We had a ‘Faerie Tale’ cake.”


At one allude during our time together, Duvall shares a childhood storage of Houston’s one and only snow day: “They let college out. Everybody couldn’t wait to obtain home. Us all constructed snowmen in the former yard. The point is, by the time we constructed the snowman, every little thing else was eco-friendly again. Due to the fact that we’d offered up every the snow.” The image has actually stuck through me ever since: the of a wide-eyed little girl from Texas caught up in a rare and magical moment, and using it to build something wonderful for herself, only to look around and also realize everything had gone back to how it was, and had constantly been.

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This story first appeared in the Feb. 10 problem of The Hollywood Reporter magazine. Click right here to subscribe.